By Lionel Chetwynd
TELEVISION: THE LOOMING REGULATORY CRISIS
The nature and quality of television through the next century will be
determined within the next few months -- if not weeks.
The consequences of decisions now being made will shape the popular
culture for a generation or more. Yet this is happening with virtually no public
debate. It should be clear that a matter of such epic proportion
deserves a place on the national agenda and should receive
a full public hearing The critical areas include-- but are not limited -- to the
following:
1) The mechanics of the system now being established: Broadcast
television is about to be regulated more closely than any public forum in the
history of America. This control will rest on two legs:
a) Implementation of the "V" Chip: Legislation has been
enacted requiring that all future television receivers marketed in the United
States be equipped with a device that can, upon being implemented by the owner,
screen out material deemed "offensive." The term "V" chip
was derived from the notion that violence on television is a main cause of the
social pathologies undermining civil society in the United States. But the
regulatory span has been expanded to include sex, language, and, possibly,
content not yet identified.
b) The construction of a parallel "ratings" system: Legislation
has already been enacted requiring broadcasters to identify their programs in a
manner that will enable implementation of the V-chip's "blackout"
capacity. This legislation provides that if the Industry does not develop a
ratings system prior to February 1st, 1997, then the FCC will be empowered to
promulgate and enforce its own scheme. An ad hoc committee of industry
executives and professional lobbyists has been formed to establish the type and
range of these ratings. This has occurred without any meaningful engagement of
the creative community.
2) The substance of the proposed system: Several issues need to be
carefully addressed before the national consensus signs off on this proposition;
some of the more important questions are:
a) The need for control of broadcast television: Broadcast television
- as distinct from premium cable channels -- are more free of violence then at
any time since the mid-fifties It is interesting to note that the generation of
Americans who, grew up on Father Knows Best, The Brady Bunch, and Leave
it to Beaver were the same generation that rebelled in the Sixties and,
in other cases, began the epidemic of violence that still afflicts us The
experiment known as "The Family Hour" dramatically reduced violence on
television, yet the incidence of violence in the culture at large grew
exponentially at the same time. So, the question needs to be asked, is
television truly the root cause of this or simply a target of opportunity in a
particularly political age?
b) The feasibility of the V-chip: As indicated above, programs will
need to be classified into several categories -- violence, language, sexual
explicitness, and so on. 'The combinations will be complex and will
require a great deal of attention by the adult responsible for engaging or not
engaging the V-chip's black-out ability. Arguably, it will be far more difficult
to program the V-chip then a simple time-delayed VCR, a task that already daunts
millions of Americans.
c) The nature of exclusion: This is related to the point above. A
diligent parent will have to make regular selections. For example, even the most
perfectly wholesome series will occasionally have an episode that deals with
matters of sexuality candidly or might include violence, or sometimes include
language considered offensive to many. In order to be useful. A Parent will need
to monitor programming on a daily basis. Also, not all children react in the
some way, in a given household. One child might be able to deal with certain
content, others might not. Should we, as one wit suggested, install the V-chip
in each child?
d) What of niche channels: What of MTV and BET, two
networks that depend largely on music videos aimed at a younger audience? They
are cable channels as opposed to broadcast television. Should rap videos be
banned?
e) What of violence with a redeeming purpose: How does one rate Schindler's
List, a clearly violent film -- yet one of the highest moral quality? The
anti-war genre? The anti-racist genre?
With regard to the four points, b through e above, it can be argued that in
households where this type of close parental supervision and involvement exists,
television poses no danger. The problem exists largely because of
unsupervised viewing by children. Anything as complicated as a
V-chip-plus-ratings-system does nothing to address this issue. Can television
regulation compensate for the general breakdown of familial authority in
contemporary American Society?
f) Do ratings ease or exacerbate the problem: Many in the creative
community believe that a ratings system often pushes product into unwanted
areas. The reasoning is that a writer or producer or director. faced with the
certain knowledge that their product will receive an "R" rating (as in
the existing MPAA Feature Film system) feels they might as well go all the way.
It’s the "as-easy-to-be-killed-for-a-sheep-as-a-lamb" mentality.
Some believe that the headlong tumble of feature films, into the darkest of
themes and language was the result of just this "push-pull"
phenomenon. Before an over-the-top ratings was devised, filmmakers tried to stay
within the bounds of what was considered generally acceptable. Once they were
let off the hook for guarding against material that might be harmful or
offensive to certain elements of the audience, an "anything
goes" mentality took over.
g) What of serious programs that need nurturing: Presumably, an
"R" rating will discourage advertisers anxious to reach the key young
demographic audiences. Thus, it will be extremely difficult -- if not impossible
-- to nurture programs that begin amidst controversy but often grow into serious
social commentary. Examples of this would be Hill Street Blues, Chicago Hope,
NYPD Blue, and so many others. Indeed, a poorly-administered system might
end up extending the vast wasteland.
Finally, but most importantly, two issues cry out for close
examination:
1) What is to be included: The proposed system states it will exclude news
programming, presumably on the grounds of First Amendment Privilege.
Ignoring the question of whether free speech should be allowed to only certain
types of approved speech, how will one define "news"? Is Current
Affair news? Hard Copy? Dateline?
2) Who should define and administer the system: Is government, even in
cooperation with a self-appointed industry body, the proper participant? Should
the coercive power of the state be invoked to control what is available on a
mass medium such as television? Governments change; while some might be
comfortable with our currently-elected leaders. what if the McCarthyites of
yesteryear gained control? What then?
It should therefore be clear that the matter of ratings, supported by
technology, is too serious a matter to be dealt with in the absence a full
public hearing. The issues raised -- free speech, civil rights, government
responsibility -- are too enormous to be decided by bureaucratic decree.
It is to such a debate that we commit our efforts.
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